February 1, 2024 - DLB
Dolby Laboratories, the name synonymous with cinematic audio excellence, is quietly orchestrating a revolution in how we experience music. While analysts dissect the company's quarterly reports, focusing on macroeconomic headwinds and foundational revenue slumps, a subtle shift in the company's narrative hints at a monumental opportunity unfolding: Dolby Atmos Music in automobiles.
Dolby isn't merely talking about an incremental improvement in car audio. They're betting on a complete paradigm shift, a transition from the limitations of stereo to a fully immersive auditory experience that mirrors the emotional depth and complexity of music itself. This isn't just a hunch, it's a calculated strategy rooted in the music industry's growing obsession with Dolby Atmos.
Consider this: every Grammy nominee in the major categories used Dolby Atmos for their 2024 submissions. A staggering 92% of Billboard's top 100 artists have embraced this technology. It's clear that the music industry is not just adopting Dolby Atmos, it's becoming dependent on it.
Dolby's CEO, Kevin Yeaman, speaks with quiet confidence about this automotive revolution, noting a 'robust pipeline' and 'really strong engagement across the automotive industry.' He emphasizes that, while high-end luxury vehicles are leading the charge, Dolby Atmos Music is destined for mass-market adoption. This isn't wishful thinking; it's backed by strategic demos at CES showcasing the immersive experience achievable in a standard four-channel, eight-speaker configuration, well within the cost constraints of affordable vehicles.
The potential for Dolby Atmos Music in cars isn't merely a revenue opportunity; it's a profit catalyst waiting to explode. Dolby's licensing model remains unchanged: they charge per device, per car. As this technology migrates from the niche of luxury vehicles to the vast expanse of the mainstream market, the impact on Dolby's bottom line will be nothing short of transformative.
Analysts, focused on the near-term fluctuations of foundational revenue, may be missing the forest for the trees. Dolby's current quarter transcript, peppered with references to automotive wins, particularly in the booming Chinese electric vehicle market, reveals a pattern far more significant than quarterly fluctuations. These aren't just a series of deals; they're the first tremors of an earthquake that will reshape the automotive soundscape and, in turn, Dolby's financial future.
"Here's the potential impact in numbers: assuming a conservative penetration rate of just 20% for Dolby Atmos Music in new vehicles sold globally by 2028. With global car sales projected to reach over 90 million units by then, that translates to 18 million Dolby-enabled vehicles, generating a potential annual licensing revenue stream exceeding $360 million, assuming a modest per-car license fee of $20."
This is a conservative estimate. Consider the impact of over-the-air updates, a strategy confirmed by Dolby's partnership with Zeekr, the premium EV brand of Geely. This allows Dolby to expand its reach beyond new car sales, potentially retrofitting millions of existing vehicles with Dolby Atmos Music capabilities, further amplifying the revenue opportunity.
The quiet confidence of Dolby's executives is more than just optimism, it's a reflection of their deep understanding of the forces shaping the entertainment industry. They're not simply riding the wave of immersive sound; they're actively steering it. As the music industry embraces Dolby Atmos, artists, distributors and device manufacturers create an unstoppable momentum that spills over into new ecosystems, driving the virtuous cycle forward.
The implications for Dolby's future are profound. Analysts focusing on the short-term softness of device sales are missing the powerful undercurrent of change being orchestrated by the company. Dolby Atmos Music in automobiles isn't just a new product; it's a tidal wave poised to reshape their balance sheet, propelling them towards a future where immersive audio defines the experience not just of cinema, but of music itself.
As explained by Robert Park, Dolby's CFO in the Q2 2024 earnings call, mobile revenue can vary from quarter to quarter based on timing of volume commitments, recoveries and true ups. The graph below shows the significant sequential increase in mobile revenue from Q1 2024 to Q2 2024.
"Fun Fact: Dolby's impact extends beyond entertainment. Their noise reduction technology is used in NASA's space program to enhance communication clarity amidst the cacophony of space travel. Perhaps, one day, astronauts will cruise through the cosmos, serenaded by the immersive symphony of Dolby Atmos Music, a fitting testament to a company that consistently pushes the boundaries of auditory experience."